Emerging UK sax talent Sam Braysher releases his intimate new duo album, Golden Earrings, with US pianist Michael Kanan on the Fresh Sound New Talent label on 1 September. In an under-stated kick against the frenetically competitive and chops-driven approach of many today, Braysher and Kanan offer some highly melodic simpatico sounds on the following UK dates: Cafe Jazz, Cardiff (7 Sept); The Verdict, Brighton (8 Sept); Norden Farm, Maidenhead (9 Sept); Seven Jazz, Leeds (afternoon) and Brasserie Toulouse Lautrec, London (evening, both on 10 Sept); Late Show, Ronnie Scott's, London (11 Sept); Anteros Arts, Norwich (12 Sept) and The Vortex, London (13 Sept).

– Mike Flynn

For more info visit www.sambraysher.com

Watch Sam Braysher with Michael Kanan's new video for their piece 'Dancing In The Dark' - in this Jazzwise exclusive:

soweto-sligo

The combined festival and summer school in Sligo have had the town buzzing since 2005. The Hawks Well Theatre hosts larger concerts while venues around town cater for smaller gigs. In addition to performances, 21 tutors hold daily masterclasses and lead ensembles for 120 participants at the Institute of Technology.

Soweto Kinch's Friday talk was cogent, contextualising the influences of politics, race and religion on the great river that is jazz. His concert on Saturday mixed spoken word, intense, plaintive and authoritative alto sax, and sampled sound, making compelling music with bass master John Goldsby (who daily played everything from fusion to mainstream, with his calm consummate ease). Drummer David Lyttle steered a course of deft inventiveness laying down the groove. Kinch playfully included the audience in chanting some of his hip hop tunes, but his music transcended any need for genre pigeonholing. Saturday's first half, a tribute to recently-deceased guitarist Allan Holdsworth, saw Australian drummer Virgil Donati lead a fusion offering of assured technical complexity, with Anton Davidyants (bass) Steve Hamilton (piano) and Mike Nielsen (microtonal guitar).

The week opened with a stellar frontline of singers, Liane Carroll, Emilia Mårtensson and Sara Colman, joined by the earthy tenor sax of Meilana Gillard and ethereal trombone of Shannon Barnett (pictured above). Such was the emotional power of these musicians that their performance brought tears to many an eye, while Dublin-born, New York-based Christine Tobin revisited her Sailing to Byzantium set, an enthralling response to W.B. Yeats' poetry, accompanied by a quintet of piano, cello, bass, guitar and flute.

A new festival initiative, pianist Kieran Quinn's Theme Night, gathered a top-line big band backing local solo singers, all of whom acquitted themselves admirably. Here was a typical example of the warmth and inclusivity of the festival, on which the visiting musicians commented at every opportunity. Other standout performances, for instance by Paul Clarvis, Malcolm Edmonstone, Matt Halpin, Mike Walker, Stephen Davis and Cathal Roche, led to high expectations of next year's festival.

– John Philip Murray
– Photos by Lieve Boussauw

  K3A5328

'Crossover' is a word much employed by critics when talking about the current crop of young UK jazz artists, but tonight's event reminds us that cross-fertilisation has been quietly going on in the background of the scene for some time. Both the protagonists have strong jazz credentials – Mark Edwards, for instance, was longtime pianist for the late lamented Bobby Wellins, and you can find Ben Castle providing saxophone for countless recordings with the likes of Lianne Carroll, Jacqui Dankworth and Geoff Gascoyne. The setting is the impeccably jazz-centric Verdict club, and the audience is drawn largely from its pool of devotees. Yet both men can also be found, equally and effortlessly at home, roaming freely across the wider territories of pop and rock, from Radiohead to Katie Melua, and the simply uncategorisable creations of such as Matthew Herbert.

Tonight the stage is festooned with garlands of cables, banks of keyboards, blinking digital displays and dusty analogue effect pedals, giving fair warning that we're not in for an evening of hushed, reverent duo renditions. A typically effusive introduction from host Andy Lavender is immediately sampled and warped into a filtered, pulsing loop – synth arpeggios and streams of electronic bubbles sketch out an open landscape through which Edwards and Castle wander at will, scattering handfuls of half-familiar melody, alternately lushly romantic chords and dark clusters of notes from the piano, squelchy sequenced basslines and scraps of found sound. It's briefly reminiscent of the kind of territory explored by The Orb – but in this MIDI and Ableton-free environment, the tempos shift up and down at random, creating a far more unpredictable climate. All sorts of aural flotsam swirls around in the sonic maelstrom, briefly surfacing before submerging again – bits of 'Autumn Leaves' and 'Pent Up House', what sounds like the theme music to Blankety Blank and a twisted mash-up of Miles Davis and Status Quo. Suddenly everything comes together in an upsurge of ascending chords, and Castle seizes the moment, and demonstrates what a fine player he is, with a wonderful clear tone and clean articulation, as a flood of melodic ideas tumble out over a wash of Vaughan Williams chords, providing an oasis of real beauty.

Set two brings the added delight of Castle on clarinet, dropping fragments of 'I Can't Give You Anything But Love' over a pulsing balearic groove – the pair visibly relax and exchange smiles as Edwards manipulates recordings of Trump speeches into horror-movie monster tones over dark synth textures. The magesterial, declamatory melody of Coltrane's 'Resolution' morphs into a nightmarish version of The Archers theme tune, an incident that instigates regrettable outbreaks of onstage corpsing; as if to make amends, 'Coronation Street" is twisted into 'Acknowledgment'. The set finishes with shards of 'Darn That Dream' drifting over spacious, otherwordly electronic tones. There's no encore, of course – "It would take another three hours," explains Edwards – but the rapturous reception to this wholly unpredictable, entirely improvised journey through sound shows how many different sonic avenues can be successfully explored while still carrying the banner of jazz forward.

– Eddie Myer 
– Photo by David Forman     

Guliana 4644

Jazz Middelheim is a great jazz fest situated in front of an old mansion in a park just outside of Antwerp – a gathering small enough to provide an intimate atmosphere, but big enough to book some stellar names. This year's artist-in-residence was Mark Guiliana. The drummer opened the festival with his quartet – comprising of Jason Rigby (sax), Fabian Almazan (piano), Chris Morrissey (bass) – their set energetic, yet subtle, leaving no doubt about the abilities of these musicians to deliver an exciting example of modern jazz. Guiliani's Beat Music performed the following day, with Morrissey reappearing on electric bass and Jason Lindner on keyboard. This was a superb, highly adventurous and contemporary showing, one of the band's best (though I still prefer the more improvising original line-up with Tim Levebvre).

Redman 3977

Back to day one, where Joshua Redman was dealing in deep finesse with his quartet of Ron Miles (trumpet), Scott Colley (bass) and Brian Blade (drums). This Still Dreaming unit put the spin on historic cuts by the Old and New Dreams quartet from the 1970s and 80s. Redman's men more than did the music justice, with his poised tone leading from the front and the passion of percussionist Blade always a pleasure to hear.

Lloyd 4341

The closing heavyweight act on day one was Charles Lloyd & The Marvels. Their set saw the legendary saxophonist accompanied by Bill Frisell (electric guitar), Greg Leisz (steel guitar), Reuben Rogers (bass) and Eric Harland (drums). It was great to hear Lloyd play a more electric set and the country flavours that Frisell and Leisz brought to the stage somehow gave the music a fresh relevancy. 

Brexit 4746

Far less reliant on harkening back to past traditions, their collective eye on the future (no matter how bleak) were Matthew Herbert with his Brexit Big Band. Despite the seriousness of the subject, this was decidedly playful music. A concept that's fun to experience: rare indeed. Slapstick and surprisingly soulful. 

Allen 4957

Tony Allen on day three was simply a joy to hear. His performance with Jean-Philippe Dary (piano), Matthias Allamane (bass), Irving Acao (sax) provided a polyrhythmic wake-up call for all those who seek to elevate technical excellence above emotion. Allen's grooves wound straight for the soul. 

Weston 5456

As did Randy Weston's African Rhythms tribute to Thelonious Monk. What can one say? A deep bow to this 91-years-old pianist, a living legend in his own right, who led Alex Blake (bass), Neil Clarke (percussion), TK Blue (alto saxophone and flute), Billy Harper (tenor saxophone), Vincent Ector (drums), Robert Trowers (trombone) with a spirit that belied his age. Never missing a beat, these guys did Monk more than proud.

– Peter van Breukelen (story and photos)

Now in its eighth year the Ystad Jazz Festival (not far from Malmo in southern Sweden) shows that with strong programing and excellent organisation new festivals can grow and create an audience (and future) for themselves. This year the festival featured 43 concerts at 10 venues over six days – a comprehensive musical programme featured most types of jazz from straight-ahead to free improv and many points in between.

There were back to back concerts from 11am to 11pm while being very varied it is also quite tiring – going from big band to avant-garde takes its toll on the ears and brain. Major artists who appeared this year included Joshua Redman (playing with his Still Dreaming band featuring the music of his father Dewey), Al Foster, Al Di Meola (in a duet with Sardinian guitarist Peo Alfonsi, below) and Hiromi and Edmar Castaneda (a remarkable duo with so much energy).

TD-Al-Di-Meola-07

Artistic director and pianist Jan Lundgren also played two major concerts – one with his Potsdamer Quartet featuring Jukka Perko (sax), Dan Berglund (bass) and Morten Lund (drums) and one duo concert featuring himself with trombonist/vocalist Nils Landgren (below). The latter for me was the better of the two concerts, with Landgren's laid back vocal style very enjoyable. His versions of Leon Russell's, 'This Masquerade' and Hoagy Carmichael's 'The Nearness of You' were sublime as was his trombone playing all night – the finale of Joe Sample's melancholic 'Same Old Story, Same Old Song' including audience participation to Landgren's hand written lyric sheet was just joyous.

TD-Landgren--Lundgren-12

ACT label boss Siggi Loch was in town for his 77th birthday celebrations with a succession of his artists. Marius Neset, Lars Danielsson and Morten Lund (picture top) started the proceedings playing songs from their excellent Sun Blowing album. Neset in ebullient mood blew up a storm with Lund as manic as ever on drums. Next up were Dan Berglund's Tonbruket (below) who played a wonderful gig at the Ystad Saltsjobad – a beachside spa resort 10 minutes outside the town. The instrumentation of the band is extremely varied with keyboards, electronics, guitars, pedal steel, bass, percussion and violin – all of which allowed the music to ebb and flow like the sea outside the venue – at times pastoral and then heavy jazz rock, but always interesting and fresh sounding.

TD-Tonbruket-11

Finnish pianist Iiro Rantala played solo in the Monastery a set that included Gershwin, Bizet, Lennon & McCartney and his own emotional composition, 'Tears for Esbjörn' written following the untimely death of Esbjörn Svensson. In the confines of the monastery this was a real 'hairs on the back of the neck' moment. One of the main joys of festivals such as Ystad is discovering new artists – often artists who have been around for years but who don't figure on the main European festivals and certainly not on UK festivals. Ystad has a modest budget so cannot afford the biggest names but what it lacks in big money US artists it more than makes up for by its programming of quality European artists.

TD-Lisa-Wulff-03

This year there were several excellent artists I had not seen before. The young Swedish flugelhorn player Oskar Stenmark (who lives and plays in New York) improvising on traditional Swedish folk tunes, German bass player Lisa Wulff (above) and her trio featuring the brilliant saxophonist Adrian Hanack. The Carsten Dahl Experience with Jesper Zeuthen (alto sax) who must have one of the most unique sounds around, his vibrato playing quite astonishing. The veteran Dutch pianist Louis van Dijk's solo performance (also in the Monastery) just oozed quality and class. The Greek trio, Magnanimus, were a revelation. Mixing Middle Eastern sounds created by Christos Barbas (who also played piano) on the Ney and Kaval (Arabic and Balkan flutes) with modern lyrical jazz and a little electronics to create something a little different and their CD, No Time, captures the music perfectly.

One of the highlights of the festival was undoubtedly Tommy Smith leading the Scottish National Jazz Orchestra and featuring the singer Eddi Reader (below) playing the songs of Robert Burns. Fortunately the overwhelmingly Swedish audiences are mostly fluent English speakers so Reader's tales of Burns and the songs meanings (in her Glaswegian lilt) were fully understood which of course adds to the enjoyment of the music. Smith runs a very tight band and the arrangements were superb – 'Love is Like a Red, Red Rose, Ye Jacobites, Jamie Come Try Me', the slightly salty 'Brose & Butter' and a rousing and ever quicker and quicker 'Charlie is my Darling' left the audience breathless and giving Reader and the Orchestra a standing ovation.

TD-SNJO-Eddi-Reader-29

The festival sold more tickets this year than ever before (10,500) 18 concerts were sold out. The festival has minimal support from the state and some decent sponsorship (30%) ticket sales represent 30% of the total cost of the festival. Ystad relies on an army (or rather) a family of happy volunteers who control the venues, sell merchandise, provide the catering and generally look after the festival - this provides the other 30% of the cost and this is the Swedish way – Ystad has over 200 societies all run by volunteers. Before the final concert the festival's management committee came on stage and sang to the audience by way of a 'thank you' to the paying customers, by rights of course, it should have been the other way round.

While Sweden may not have the glorious weather of Juan Les Pins or Nice or the majesty of Umbria, it does have something almost more important; a heart and a soul and is probably one of the friendliest jazz festivals you can go to.

– Tim Dickeson (Story and Photos)

This website uses cookies to ensure you get the best experience on our website

If you do not change browser settings, you consent to continue. Learn more

I understand

Breaking News

Pharoah Sanders, Denys Baptiste and Alina Bzhezhinska make for cosmic concert for Alice and John Coltrane

Pharoah Sanders, Denys Baptiste and Alin…

Banks of lights sketch out a looming angel presence on...

Read More.....
Matthew Herbert’s (Anti) Brexit Big Band Receive Government Export Funding

Matthew Herbert’s (Anti) Brexit Big Band…

Jazz-influenced experimental musician, composer, conceptualist and now political protester Matthew...

Read More.....
Courtney Pine announced for Jazz Directors series and tour

Courtney Pine announced for Jazz Directo…

Multi-award winning saxophonist and composer Courtney Pine has been announced...

Read More.....
Mark Guiliana Jazz Quartet create acoustic alchemy at Ronnie Scott’s

Mark Guiliana Jazz Quartet create acoust…

Mark Guiliana is associated with a certain level of jazz-fusion...

Read More.....
Knower drop the knowledge at Scala

Knower drop the knowledge at Scala

"If you have to ask, you don't know by now...

Read More.....
Two Jazz Photography Exhibitions open up

Two Jazz Photography Exhibitions open up

This month sees two jazz photography exhibitions take place –...

Read More.....
Miles Mosley Melts Down The Funk At Islington Assembly Hall

Miles Mosley Melts Down The Funk At Isli…

Miles Mosley has already started making waves in the UK...

Read More.....
Evan Parker And John Russell Usher Forth The Fifth Man At Tampere Jazz Happening

Evan Parker And John Russell Usher Forth…

  A curious sight catches the keenest of eyes on the...

Read More.....
Surman and Warren Bolster Brass On Kings Place Retelling Of Their Traveller's Tale

Surman and Warren Bolster Brass On Kings…

It was during the late 1980s that John Surman (above)...

Read More.....
Pat Metheny Quartet epic and electric at Barbican

Pat Metheny Quartet epic and electric at…

In these turbulent times small things can provide a reassuring...

Read More.....
Watch a Live Stream of Jazz Voice from the EFG London Jazz Festival

Watch a Live Stream of Jazz Voice from t…

This year's 25th anniversary edition of the EFG London Jazz...

Read More.....
Muhal Richard Abrams 19/09/30 – 29/10/17

Muhal Richard Abrams 19/09/30 – 29/10/17

  Though it may have escaped many of the thousands of...

Read More.....
Empirical Among The Imperious At Jazzfest Berlin

Empirical Among The Imperious At Jazzfes…

  For his third and final edition of Jazzfest Berlin, the...

Read More.....
Whirlwind triple bill for Rich Mix and club programme highlights as 25th EFG London Jazz Festival gears up

Whirlwind triple bill for Rich Mix and c…

This year's EFG London Jazz Festival kicks off its milestone...

Read More.....
Tommy Smith goes it alone and together with Brian Kellock

Tommy Smith goes it alone and together w…

Saxophonist Tommy Smith takes his latest project home this month...

Read More.....
Richard Bona brings the boogie and Amok Amor unleash improv anarchy at Enjoy Jazz

Richard Bona brings the boogie and Amok …

Some festivals cram everything into a single weekend, but Enjoy...

Read More.....
Andy Sheppard, Native Dancer and Beats & Pieces line-up for Cambridge Jazz Fest

Andy Sheppard, Native Dancer and Beats …

The third edition of the Brewin Dolphin Cambridge International Jazz...

Read More.....
Christian McBride Big Band, Kamasi Washington and Randy Crawford for Cheltenham Jazz Festival 2018

Christian McBride Big Band, Kamasi Washi…

The first names have been announced for the 22nd edition...

Read More.....
Saxophonist Steve Coleman Sublimely Elemental At Paris Showcase

Saxophonist Steve Coleman Sublimely Elem…

  As Britain attempts what seems like an ungainly improvisation out...

Read More.....
Love Supreme Jazz Festival Rocks Up To The Roundhouse

Love Supreme Jazz Festival Rocks Up To T…

  With this year's annual event having drawn its biggest audience...

Read More.....
Oli Rockberger Rules The Multi-Genre Roost For Sovereign Launch

Oli Rockberger Rules The Multi-Genre Roo…

Whether exploring a gospel-tinged, hymnic solo introduction, which would have...

Read More.....
Atzmon & Orient House Ensemble Pay Tribute To Legends At Pizza Express

Atzmon & Orient House Ensemble Pay T…

Gilad Atzmon & The Orient House Ensemble will be presenting...

Read More.....
Ronnie Scott’s Instrument Amnesty Returns

Ronnie Scott’s Instrument Amnesty Return…

Following the success of the inaugural Music Instrument Amnesty in...

Read More.....
Instant Composers Pool Orchestra goes Dutch with UK and Ireland dates

Instant Composers Pool Orchestra goes Du…

The unique, internationally renowned Instant Composers Pool Orchestra launches Going...

Read More.....
Martin Taylor and Jazz at The Philharmonic concert to save Swanage Jazz Festival

Martin Taylor and Jazz at The Philharmon…

News that this year's 28th edition of the Swanage Jazz...

Read More.....
Nérija, Dinosaur and Jim Mullen among Parliamentary Jazz Award winners

Nérija, Dinosaur and Jim Mullen among Pa…

The 13th annual Parliamentary Jazz Awards took place for the...

Read More.....
Hugh Masekela withdraws from Abdullah Ibrahim & Ekaya concert due to ill health

Hugh Masekela withdraws from Abdullah Ib…

Revered South African trumpeter Hugh Masekela has announced that, due...

Read More.....
Dee Byrne's Entropi Radiate Amid Rough And Tumble At Kings Place Album Launch

Dee Byrne's Entropi Radiate Amid Rough A…

  The most striking thing about Moment Frozen, the second release from British...

Read More.....
Dave Liebman and Richie Beirach fire-up new Eastside Jazz Club

Dave Liebman and Richie Beirach fire-up …

The opening night of Birmingham's new Eastside Jazz Club featured...

Read More.....
James Taylor And Soweto Kinch Among Poetic Masters Of Rhythm And Rhyme At 2017 Limerick Fest

James Taylor And Soweto Kinch Among Poet…

  The Limerick Jazz Festival continues to spring surprises, and to...

Read More.....
Dave Liebman/Richie Beirach, Christine & Ingrid Jensen and Mark Turner head to Birmingham’s Eastside Jazz Club

Dave Liebman/Richie Beirach, Christine …

Jazz in the Midlands got a huge boost with the...

Read More.....
Mike Gibbs' Dramatic Big Band Birthday Bash A Blast At Birmingham's CBSO Centre

Mike Gibbs' Dramatic Big Band Birthday B…

  In celebration of his 80th year, the composer and arranger...

Read More.....
Mike Carr – 1937-2017

Mike Carr – 1937-2017

Mike Carr, who died on 22 September aged 79, was...

Read More.....
Jazz FM's Sarah Ward, Chris Philips and Nigel Williams up for radio  awards

Jazz FM's Sarah Ward, Chris Philips and …

Two of Jazz FM's longest serving presenters, DJs Sarah Ward...

Read More.....
Joon Moon Exclusive stream of ‘Moonshine Corner’

Joon Moon Exclusive stream of ‘Moonshine…

This year's EFG London Jazz Festival features a performance by...

Read More.....
Westbrook and Wakeman line up with the Uncommon Orchestra for A Bigger Show

Westbrook and Wakeman line up with the U…

Although Mike and Kate Westbrook are based in the West...

Read More.....

Subcribe To Jazzwise

Advertisement

Call 0800 137201 to subscribe or click here to email the subscriptions team

Get in touch

Jazzwise Magazine,
St. Judes Church,
Dulwich Road, 
Herne Hill,
London, SE24 0PD.

0208 677 0012

Latest Tweets

Pharoah Sanders, Denys Baptiste and Alina Bzhezhinska make for cosmic concert for Alice and John Coltrane… https://t.co/cs0ueSL41N
Follow Us - @Jazzwise
Tyshawn Sorey soundtracking Friday's dark-tidings again. Check out him on the youtube link and then grab a listen t… https://t.co/oebOEqxWRe
Follow Us - @Jazzwise

Newsletter

Sign up to the Jazzwise monthly E-Newsletter

 

© 2016 MA Business & Leisure Ltd registered in England and Wales number 02923699 Registered office: Jesses Farm, Snow Hill, Dinton, Salisbury, SP3 5HN . Designed By SE24 MEDIA