Fast emerging US progressive jazz seven-piece Holophonor are set to release their second album, Light Magnet, on the World Galaxy label on 8 October. The band formed in 2012 following their selection for the prestigious Thelonious Monk Institute of Jazz Performance, where they met and studied under the guidance of jazz legends including Herbie Hancock and Wayne Shorter. It was the latter former Miles Davis collaborator and Weather Report founder, who was recommended by none other than Blue Note boss Don Was to produce the band's interstellar sophomore album that combines free-flowing modal grooves, tough solos and long-form compositions with compelling results.

All this was directed by Shorter who had the group record some of the music in 45-minute intervals to find the perfect takes within, the resulting music primed with energy and invention usually captured in concert not in the studio. Holophonor features Eric Miller (trombone), Mike Cottone (trumpet), Josh Johnson (alto sax), Diego Urbano (vibraphone), Miro Sprague (piano), Dave Robaire (bass), and Jonathan Pinson (drums) all of whom appear on the album, Light Magic.

Mike Flynn

– Photo by Theo Jemison

Jazzwise is pleased to present a first listen to the second single from the album 'I Miss You'

 

The nominees for the 2017 Parliamentary Jazz Awards have been announced and recognise a wide range of British jazz talent. Taking place on 10 October the awards ceremony will be held at Pizza Express Live's swish new Holborn venue, the first time the awards have taken place away from the House of Commons' Terrace Pavilion, with the selection of nominees voted for by the public and the final short list selected by a panel of jazz industry experts, musicians and members of the All-Party Parliamentary Jazz Appreciation Group (APPJAG).

The nominees in the nine categories are:

Jazz Vocalist of the Year: Georgia Mancio; Cleveland Watkiss and Alice Zawadzki.

Jazz Instrumentalist of the Year: Shabaka Hutchings; Jim Mullen and Tori Freestone.

Jazz Venue of the Year: Watermill Jazz Club; Jazz Re:Freshed; PizzaExpress Live and Scarborough Jazz Festival.

Jazz Media Award: Jazzwise Magazine; Kevin Le Gendre and Chris Phillips.

Jazz Education Award: Tomorrows Warriors; Jean Toussaint and Andrea Vicari.

Jazz Album of the Year: Dinosaur – Together, As One; Shabaka HutchingsWisdom Of The Elders and Tim GarlandOne.

Jazz Ensemble of the Year: Partikel; Phronesis and Binker & Moses.

Jazz Newcomer of the Year: Jacob Collier; Corrie Dick; Ezra Collective and Nérija.

Services to Jazz Award: Sue Edwards; Henry Lowther; Gary Crosby and Tony Dudley Evans.

The awards are organised by the APPJAG, co-chaired by Kelvin Hopkins MP and Lord Colwyn, and supported by Pizza Express Live in conjunction with Peroni.

For more info visit www.pizzaexpresslive.com/parliamentary-jazz-awards-2017

John Jack was one of those figures who seem to have always been on the London jazz scene, and it's hard to imagine it without him. Right up to his death he was a regular, with long-standing partner, Shirley (pictured above left with John, middle, and Jack Docherty, right), at the Vortex, where a tribute was recently given to him. Many of his close friends and colleagues attended to celebrate his life and contribution to the music, and John's friend of many years, Mike Westbrook, gave a solo piano performance dedicated to him. In response, John addressed the gathering, showing he had not lost any of his wit and sharpness, but also his warmth towards the people and the music in which he had spent his life.

Born on 25 May 1933 in Barnes, his interest in music came from his mother, an occasional singer in nightclub bands, and he bought his first 78s around 1947/8 from Shepherds Bush Market – Jelly Roll Morton's 'Dr.Jazz' and Pinetop Smith's 'Jumpsteady Blues' on Brunswick. John did National Service in the Army before embarking upon what might be described as a 'bohemian' existence in the 1950s. He painted, wrote, played in a skiffle group, trombone in a trad band (his regard for Bunk Johnson extended throughout his life), and travelled, at one point living in Paris and mixing with Beats such as Allen Ginsberg.

He worked as a salesman for several jazz labels in the late 1950s/early 60s: Colin Pomeroy's Jazz Collector, Emil Shallit's Melodisc, Doug Dobell's 77 Records and Carlo Krahmer's Esquire, and at Dobells Jazz Shop in London. Then came a turning point in British jazz when Ronnie Scott opened his new club in Frith Street, and John was asked by Pete King to run the Old Place in Gerrard Street, putting on the new generation of improvisers.

"It was a stroke of great fortune," he later recalled. "Pete said: 'Here John, you've got a club. You look after it. You get on with it. Here are the keys. Do what you want with it'. And they paid the rent and we got on with it. Not many people get that kind of luck."

He had it for its last 18 months, often assisted by his brother Roger, and it saw some of the most exciting players to come out of the jazz scene, including the South Africans who were based in London and with whom he forged a strong and lasting relationship, especially Dudu Pukwana, Harry Miller and his wife, Hazel. From that emerged the Jazz Centre Society, with a committee which initially included John, Charles Fox, Brian Blain and John Fordham. At first based at the 100 Club, it expanded to the Country Club and other venues. He also wrote a regular jazz column for Sounds.

Soon after, John formed Cadillac Music, starting with a Mike Westbrook release in 1973, on, as he described it, "the day VAT broke out" and it soon expanded to include the distribution of numerous independent labels. In the mid 1970s he worked from the basement of Collets Jazz Shop (later Ray's) in Shaftesbury Avenue, and Cadillac releases included those by George Lewis, Bruce Turner, Stan Tracey, the Christie Brothers Stompers, Bobby Wellins, Dudu Pukwana, Mike Osborne, Joe Harriott, Trevor Watts' Moiré Music, Ken Colyer & the Crane River Jazz Band, The Jazz Doctors (Billy Bang & Frank Lowe) and David Murray; it reflected John's wide appreciation of jazz styles, the constant factors for John being "improvisation, honest expression of emotion and creativity". Visitors to the basement ranged from Willem Breuker to Prince Buster, and although he was known for his explosive outbursts, it disguised John's generous and hospitable nature.

He finally wound down the distribution side in 2009 but kept Cadillac going. In his final few moments he was with Hazel Miller and friend/associate Mike Gavin listening to, appropriately, Bunk Johnson's 'A Closer Walk With Thee'. John joined Bunk on Thursday 7 September.

– Matthew Wright

Photo courtesy Mike Gavin

The names have been revealed for this year's 10th edition of Jazz Voice, the EFG London Jazz Festival's opening night vocal jazz extravaganza, at the Royal Festival Hall on Friday 10 November. Reaching across jazz, funk, soul and pop worlds British guest singers include acclaimed jazz vocalist Liane Carroll, soul-jazz singer Mica Paris, R&B singer Tony Momrelle and Incognito's lead vocalist Vanessa Hayes, chart topping vocalist Seal and charismatic Wes Coast Get Down bassist/singer Miles Mosley, who first gained global recognition for his Hendrix-style double bass playing as part of LA sax titan Kamasi Washington's band. All these names will be backed by composer/arranger Guy Barker's specially convened London Jazz Festival jazz orchestra, a 40-piece ensemble combining strings, brass section and core jazz group comprised of many of the UK's finest musicians. Watch this space for additional names to be added to the Jazz Voice line-up.

This show is one of over 300 taking place during the 10-day citywide festival, highlights of which include: Keith Tippett Octet with Matthew Bourne (Kings Place, 10 Nov), Michael Janisch Quartet with Rez Abbasi, Henry Spencer's Juncture, Zhenya Strigalev Trio (Rich Mix, 10 Nov); Tomasz Stańko's New York Quartet (Cadogan Hall, 10 Nov); Zakir Hussain's Crosscurrents with Dave Holland and Chris Potter (Barbican, 11 Nov); Andy Sheppard Quartet (Kings Place, 11 Nov); John Surman and John Warren's The Traveller's Tale (Kings Place, 12 Nov); Miles Mosley and the West Coast Get Down (Islington Assembly Hall, 12 Nov); Brad Mehldau/Chris Thile (Barbican, 12 Nov); Led Bib, Schnellertollermeier and WorldService Project (Rich Mix, 12 Nov); Marcus Miller (RFH, 12 Nov); Richard Pite's 1957: A Jazz Jukebox (Cadogan Hall, 12 Nov); Herbie Hancock (Barbican, 13-14 Nov); Knower (Scala, 13 Nov); Courtney Pine's Black Notes From The Deep (Bridge Theatre, 13 Nov); Trombone Shorty (Shepherd's Bush Empire, 13 Nov); Paolo Conte (RFH, 13 Nov); Abdullah Ibrahim/Hugh Masekela Jazz Epistles (RFH, 14 Nov); Cory Henry & The Funk Apostles (KOKO, 14 Nov); Jaimeo Brown's Transcendance (Rich Mix, 14 Nov); Justin Kauflin Trio plus Airelle Besson and Vincent Segal (Wigmore Hall, 16 Nov); Nik Bärtsch (Wigmore Hall, 17 Nov); Darcy-James Argue's Secret Society (Kings Place, 17 Nov); Jay Rayner's Quartet (Cadogan Hall, 17 Nov); Pharoah Sanders' Quartet, Denys Baptiste's The Late Trane band and Alina Bzhezhinska's Quartet with Tony Kofi (Barbican, 18 Nov) and Terrence Blanchard with the BBC Concert Orchestra (Barbican, 19 Nov), among many others. Jazzwise is media partner for the festival.

– Mike Flynn

Full listings and tickets at www.efglondonjazzfestival.org.uk

Vein-Trio-2

Swiss piano trio VEIN release their latest album, VEIN Plays Ravel, on Double Moon on 8 September – with acclaimed British saxophonist Andy Sheppard as the album's featured guest. The trio feaures twins, drummer Florian Arbenz and pianist Michael Arbenz with bassist Thomas Lähns, and has made a successful habit of working with high calibre horn horn players, including US saxophonists Dave Liebman and Greg Osby, with whom they've toured extensively.

Their latest recording sees the trio diving into the music the 20th century French composer, Maurice Ravel, to explore eight of his pieces that touch on the musical worlds of baroque, Spanish and jazz. These include Ravel's 'Le Tombeau de Couperin suite', 'Mouvement de Menuet' (from Sonatine), 'Blues' (from his Violin Sonata) and 'the 5 o'clock Foxtrot' (from the opera L'Enfant et les Sortilèges) which was influenced by his love of jazz and the salon music of the time.

Commenting on working with VEIN, Andy Sheppard said: ""It was great to find myself deep in the Vein world participating in their wonderful reimagining of Maurice Ravel - the band has real momentum, direction and passion for the music. Onwards and upwards, Maurice lives !"

Mike Flynn

For more info visit www.vein.ch

Jazzwise is pleased to present an exclusive first look at the video for 'Forlane'



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