While Brad Mehldau and his trio in recent years have redefined the contemporary piano trio, this month Mehldau makes an important detour with an extended project which teams him up once again with producer Jon Brion. The new double album Highway Rider recalls their work together on the influential album Largo. In a rare interview Mehldau talks to Selwyn Harris about his thinking behind the project and his thoughts on a wide range of subjects from his rock and classical inspirations to his thoughts on the future of jazz.

Even if the final word is perhaps best left to hindsight, Largo, Brad Mehldau’s 2002 CD on Nonesuch, may well go down in jazz history as an album that shook things up a bit. “I did notice that Largo polarised people a bit, but ultimately some new people listened to me after that who hadn’t before,” says Mehldau reflecting on the album’s initial reception in our interview.

Well it might: Mehldau’s originals and unique takes on the Beatles, Jobim and Radiohead was business as usual. But there was also the edgy, hip electronica, a few lounge/spy jazz themes – with vibes, horns and strings as cool accessories – and a bit of Black Sabbath-dedicated riffery. Where was the Jarrett-esque earnestness of the jazz pianist of 14 albums previously? Of course that was still there too, but Mehldau has steadily throughout his career become a whole lot more.

This is an extract from Jazzwise Issue #139 – to read the full article click here to subscribe and receive a FREE copy of the latest Hiromi CD 'Place To Be'.