Gilad Atzmon - The Ornithologist

Gilad Atzmon bids a none-too-fond farewell to George Bush with his new album, In Loving Memory of America, which, slightly surprisingly, takes Charlie Parker’s Bird With Strings project as its main focus. Yet typically Atzmon, surely the most politically and satirically inclined jazz musician anywhere on the planet, finds a new way forward for the bebop warhorses he uses as raw material. Andy Robson bunkers down with Gilad for a no-holds-barred discussion.

Gareth Williams - Feel the Force

Gareth Williams has always been recognised on the British jazz scene as an improviser with a subtle but effective touch, whether he finds himself accompanying singers like Claire Martin or playing acid jazz with Us3. His new record, however, signals a change of course, moving him in the direction of the beefed-up power trio, which you might think suits his retro-inclined 70s fashion sense and mod leanings. But as Selwyn Harris finds out, there’s more to Williams than meets the eye – a musician keen to explore his own identity and one not afraid to wear his heart on his sleeve.

Tim Garland's Lighthouse Trio - Balancing Act

Tim Garland in the space of 20 years has carved out a career as a highly distinctive saxophonist and composer with a sense of his own English identity as a player and at the same time establishing his own place within the jazz tradition. As well as founding his own groups, Garland has played extensively with both Bill Bruford and Chick Corea and has been commissioned by the London Symphony Orchestra to write a concerto. This month his Lighthouse Trio, with GWILYM SIMCOCK and ASAF SIRKIS , releases a striking new album which also features the Royal Philharmonic Orchestra, the latest chapter in a fascinating journey for Garland. Interview:: Stuart Nicholson.

Courtney Pine - Bechet & Beyond

After putting together a new version of the Jazz Warriors last year Courtney Pine changes tack for his new project, an album made in homage to the early saxophone pioneer Sidney Bechet. Pine takes time in the album to also examine what traditions in jazz mean to him and makes the connection beyond Bechet to Joe Harriott in the 1960s. Selwyn Harris talks to Courtney, recently awarded with a CBE in the New Year’s Honours List, about the impact of Bechet’s playing on him and how we can all learn a thing of two from the master Courtney Pine and I are getting the bad news out of the way first.

Joshua Redman - New Bearings

There are a few surprises in store for long term fans of Joshua Redman. A looser, freer feel, a “double trio” and the sense that, as the title Compasssuggests, Redman has found a new direction. Andy Robson catches up with Redman in the wake of Barack Obama’s election victory and a period of change in Redman’s own life with the birth of his son.

Subcategories

This website uses cookies to ensure you get the best experience on our website

If you do not change browser settings, you consent to continue. Learn more

I understand


Subcribe To Jazzwise

Advertisement

Call 0800 137201 to subscribe or click here to email the subscriptions team

Get in touch

Jazzwise Magazine,
St. Judes Church,
Dulwich Road, 
Herne Hill,
London, SE24 0PD.

0208 677 0012

Latest Tweets

Get yourselves down to this bit of festive South London cheer this weekend – free-jazz blowouts and hop-jacked beer… https://t.co/9IJOFuz4AM
Follow Us - @Jazzwise
@AbstractTruth haha, brilliant
Follow Us - @Jazzwise

Newsletter

© 2016 MA Business & Leisure Ltd registered in England and Wales number 02923699 Registered office: Jesses Farm, Snow Hill, Dinton, Salisbury, SP3 5HN . Designed By SE24 MEDIA