Miles Davis - Beyond The Corner

It was music like you had never heard before. A dense, churning rhythm that was like an ice-breaker tearing through a glacial sheet. It was a bubbling, molten mix of wah-wah trumpet, droning sitar, multi-layered keyboards, screaming guitar, scurrying soprano sax, dark bass clarinet and the incessant beat of tabla drums. Was it rock? Was it jazz? Was it funk? Was it music from another time and place? It was all these and more: it was the new sound of Miles Davis.

Jan Garbarek - A Sense Of Belonging

Jan Garbarek’s English tour this month, culminating in a London Jazz Festival appearance at the Royal Festival Hall on 18 November, will feature, for the first time in this country his new group with drummer Manu Katché and bassist Yuri Daniel. Yet, despite the changes in personnel, Garbarek’s unique vision as a composer and performer has remained constant since the early breakthroughs in his career. Undoubtedly the key saxophonist in European jazz and a role model for Scandinavian musicians since the 1970s, Stuart Nicholson talks to Jan exclusively for Jazzwise about his early inspirations and the course of a remarkable career which has changed the face of European jazz.

Tord Gustavsen - In A Silent Way

A remarkably understated Norwegian piano trio has produced a set of albums that have become some of the best selling jazz records in Europe in the last few years. Led by pianist Tord Gustavsen the trio is set for a UK tour and an appearance at the London Jazz Festival in November following the release of Being There earlier this year. Stuart Nicholson digs deep to discover their influences, their affinity to “cool school” jazz, and how their Norwegian roots informs thieir music.

Cleo Laine and John Dankworth - Double Top

Dame Cleo Laine and Sir John Dankworth both turned 80 recently, a milestone for the couple who for many years have personified British jazz internationally, receiving acclaim and honours frequently along the way. Still active on the scene they look back on a remarkable career with Stuart Nicholson, to the days when bebop was a new music heard at first hand by Dankworth in New York and to the days when he shared a stage with Charlie Parker and toured with Duke Ellington.

Robert Wyatt - Human Nature

Robert Wyatt has a unique perspective on jazz. As a lover of the music and a frequent collaborator with some of today’s most interesting performers, Wyatt also represents a quintessentially English tradition of radical dissent both in his songs and in his politics. Formerly a rock drummer with Soft Machine, a band which has remained uniquely influential on subsequent generations of jazz and rock fans alike, he now pursues a distinctive second life as a singer and songwriter, rarely performing but steadily creating a string of critically acclaimed albums. The latest, Comicopera, has just been released. Duncan Heining travels to Robert’s home in Lincolnshire for this special interview and also talks to musicians from Robert’s new album, Annie Whitehead and Gilad Atzmon.


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