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December 2008 Jazz Instrument Update
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Friday, 28 November 2008 14:44
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December 2008 Jazz Instrument Update
Alphasax Worldwind Music
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Steve Goodson Gourmet alto sax

This heavily engraved pink plated Gourmet with its groovy mother of pearl keys is quite a hefty horn. It’s clearly well built, with a bottom table that feels really solid, double arm action on the low B and C, ’roo pads throughout and a useful triple eye for the strap hook. Put to work, you can glide through the full range with ease. This is a responsive horn and those palm keys are perfectly positioned. There’s good articulation, the intonation’s excellent and the Gourmet is really at home in the altissimo, which it delivers with consummate ease. However, the dynamic range seems a little limited and this horn really lacks that centred tone that I personally feel is an essential to the jazz line. There is a tonal edginess, but there’s nothing unique to the sound. I reckon that the Gourmet is a horn that would be ideal for a big band where there is a requirement for similar tonal and timbre characteristics. Conversely, miked up, that tonal edginess might suit a soul sound or a more driving, rock orientated outfit. It all comes in a shaped, padded, plush lined hard shell case with a shoulder strap and flexible rubberised nylon grab handle. For more go to www.stevegoodsonsaxophones.com



Michael Messer Lightning Resonator Guitar

Michael Messer has been playing resonator guitars for more years than he probably cares to remember! A highly accomplished player on the international circuit, he is also a major authority on the instrument. Such is his love for the spun aluminium cone, the steel body and the sound that it delivers, that he decided to make affordable replicas of the original 1930’s instruments, so that even more players could get the buzz of playing one of these unique guitars. Sourced from a small, dedicated Chinese workshop, these instruments have been made to Messer’s specific specifications. As he says, the basic set-up and tooling means that these instruments are made in a very similar way to the originals. Authenticity is certainly key here. Not only does the Lightning look every inch like its original buddy with its open tuner headstock, deep neck profile and body dimensions, but it actually sounds like those classic instruments. Clearly not a corner has been cut. The cone delivers plenty of power and that typical resonator character is all in there. There’s a clarity to the tone – it’s sweet and round and not at all raspy. I tried our sample with a nut riser and found that the Lightning delivers the same authentic sounds when being played as a lap steel. Messer also supplies ‘The Blues’, a slightly cheaper, un-plated version of the same instrument. Both come in a robust, zippered, semi-hard, plush lined, shaped nylon denier covered case with a large zippered front pocket, a wrapped webbed grab handle and a twin strap back harness.

For more go to www.michaelmesser.co.uk

 



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Last Updated on Tuesday, 26 May 2009 15:00
 
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