Jazzwise November 2014 Issue Albums Reviewed List

All these albums are reviewed in the November 2014 issue of Jazzwise which is out now – to read them all click here to subscribe and get a FANTASTIC FREE CD
New Releases

Leo Appleyard Pembroke Road F-IRECD
Jason Adasiewicz’s Sun Rooms From The Region Delmark
Jesse Bannister Play Out Groove India
Blue-Eyed Hawk
 Under the Moon
 Edition
Otis Brown III The Thought Of You Blue Note
Helen Burnett When First I Saw You There Discovery Records
Avishai Cohen’s Triveni Dark Nights Anzic Records
Chick Corea Trilogy Concord
Trish Clowes Pocket Compass Basho
Jamie Cullum Interlude Island Records
Lars Danielsson Liberetto II ACT
Mihály Dresch Quartet with Archie Shepp Hungarian Bebop Budapest Music Centre Records
Eyeshutight Resonance Hungry Bear Records
Eyot Similarity Ninety & Nine Records
The Grip Celebrate Slowfoot
Rigmor Gustafsson When You Make Me Smile ACT
Molly Johnson Because of Billie Decca
Mack Avenue Super Band Live From the Detroit Jazz Festival – 2013 Mack Avenue
Marcotulli & Biondini Duo Art La Strada Invisibile ACT
Raul Midon Don’t Hesitate Mack Avenue
Andy Milne & Dapp Theory Forward In All Directions Whirlwind records
Jason Moran All Rise: A Joyful Elegy for Fats Waller Blue Note
Christian Muthspiel & Steve Swallow Simple Songs In & Out
Matt Nelson Lower Bottoms Tubapede Records
Paragon Cerca Jellymould
Ivo Perelman & Karl Berger Reverie Leo
Émile Parisien Quartet Spezial Snack ACT
Simon Phillips Protocol II Inakustik
Antonio Sánchez Three Times Three CamJazz
Wadada Leo Smith/ Jamie Saft/Joe Morris/ Balasz Pandi Red Hill Rare Noise
Ronnie Smith Trio Illusions RSP001
Supersilent 12 Rune Grammofon
John Surman/Bergen Big Band Another Sky Grappa
Tohpati Tribal Dance MoonJune Records \
Topology and Trichotomy Healthy Topology and Trichotomy Music
Travis & Fripp Discretion Panegyric Recordings
Andreas Varady Andreas Varady Verve
Elio Villafranca Caribbean Tinge Live at Dizzy’s Club Coca-Cola Motéma
Colin Webster / Mark Holub Viscera New Atlantis
Mark Weinstein Latin Jazz Underground Zoho
Bobby Wellins/SNJO Culloden Moor Suite Spartacus
Charlie Wood New Souvenirs Archer Records

Short Cuts// New Releases

Tony Allen Film of Life JazzVillage
Modern Art Orchestra Circular BMC
Federico Casagrande At the End of the Day Camjazz
Joan Chamorro & Andrea Motis Feelin’ Good Temps Record
Tobias Christl Wildern ACT
Eple Trio Universal Cycle Shipwreckords
Hannah Köpf Lonely Dancer GLM Music
Monika Lidke If I Was To Describe You 33 Records
Jan Lundgren All By Myself Fresh Sounds
Thomas Maintz Present Beach Farm
Elvira Nikolaisen/Mathias Eick Concentrate on You Grappa
Nomad Collective Soundscapes of a Bedouin Rudeboy Nomad Collective
Plasmic Live at Chilli Jazz Festival Leo
Joris Roelofs Aliens Deliberating Pirouet
Andreas Schaerer/Lucas Niggli Arcanum Intakt
Hannah Svensson Each Little Moment Volenza
Joona Toivanen Trio November CamJazz
Trondheim Jazz Orchestra & Albatrosh Treehouse MNJ Records
Dan Weiss Fourteen Pi Recordings

Reissues / Archive

Gene Ammons Blue Groove/Preachin’ Groove Hut Records
Chet Baker Sings Dreamcovers
Art Blakey & The Jazz Messengers Caravan/Buhaina’s Delight Essential Jazz Classics Walter Bishop Soul Village Soul Brother
Gary Burton Quartet Duster/Country Roads & Other Places
John Coltrane Olé Coltrane Essential Jazz Classics
Walt Dickerson Quartet The Complete New Jazz Recordings: This Is Walt Dickerson!/A Sense Of Direction/Relativity/ To My Queen Solar
Kenny Dorham Quintet with Jackie Mclean Complete Recordings Phoenix
Duke Ellington 4tet/5tet/6tet/7tet: The 1956-58 Small Group Recordings Phoenix
Duke Ellington/Coleman Hawkins Duke Ellington Meets Coleman Hawkins Essential Jazz Classics
Grateful Dead Wake Up To Find Out Grateful Dead Productions/Rhino
Freddie Hubbard Red Clay/Straight Life/ First Light
Hubert Laws Crying Song/ Afro-Classic/ The Rite of Spring BGO Records
Don Pullen Richard’s Tune Sackville

Short Cuts// Reissues

Louis Armstrong Plays W C Handy – Complete Edition Essential Jazz Classics
Louis Armstrong Three Classic Albums Plus Avid
Duke Ellington Treasury Shows Vol 18 Storyville
Ella Fitzgerald Sings Gently with Nelson/ Sings Broadway Essential Jazz Classics
Four Freshmen Four Freshmen and Five Trombones / and Five Saxes Black Coffee
Plas Johnson This Must Be The Plas! / Mood for the Blues Fresh Sound
Johnnie Pate Complete Recordings 1955-56 Fresh Sound
Oscar Peterson / Fred Astaire The Astaire Story Master Jazz Records
Nina Simone Little Girl Blue Verse
Jeri Southern Complete Roulette and Capitol Recordings 1957-59 Fresh Sound
Mel Tormé Swinging on the moon / Coming Home Baby Master Jazz Records
Various Artists Salsa de la Bahia Vol 2 Patois Records
Jonah Jones Jumpin’ With Jonah + Jonah Jumps Again / Muted Jazz + Hit Me Again! Blue Moon
Hans Koller & Friends Legends Live Jazzhaus
Jack Nimitz Yesterday and Today Fresh Sound
Various Artists British Traditional Jazz: At a Tangent Vol 6: Classic Style Bands Lake
Sarah Vaughan Sings George Gershwin Master Jazz
Teddy Wilson Trio with Jo Jones Complete Studio Recordings Jazz Dynamics

Chick Corea – Trilogy ★★★★ Recommended

Concord CJA3568502

Chick Corea (p), Christian McBride (b), Brian Blade (d) plus Jorge Pardo (fl) and Niño Josele (g). Rec. date not stated

Chick Corea has been a part of the jazz furniture since the 1960s and it is perhaps tempting to take his great achievements in jazz for granted. So it’s worth reminding ourselves he has had to reinforce his mantelpiece to accommodate 20 Grammy Awards (he is in fact the fourth most- nominated artist in Grammy history), is a NEA Jazz Master and has authored some of the most influential jazz recordings of the last 50 years.

Throughout, his creative spirit has never appeared to falter. Now aged 73, an age when most jazz musicians are content for an occasional tour to revisit their honourable pasts, Corea keeps up a demanding schedule pushing the envelope nightly – this 3CD set of free-flowing trio jazz was recorded live in Washington D.C., Oakland in California, Spain, Switzerland, Austria, Slovenia, Turkey and Japan. Corea’s accompanists – McBride and Blade – are from among that select few who breathe the heady air at the top of their profession. They are half his age but are swept along by the pianist’s restless creativity that succeeds in combining intensity – a lot of musical ideas are compressed into small spaces – with what some observers have called ‘impishness’ but what is, in effect, his musical audacity.

Corea covers a lot of musical ground here, from the Great American Songbook to jazz standards (including his own composition ‘Spain’) to classical music; Scriabin’s ‘Opus 11, No. 9’ and his own classically inspired ‘Piano Sonata: The Moon’. The latter, effectively the centrepiece of this album set, lasts some 30 minutes and is a reminder of what a complete pianist Corea is – in the Mike Dibbs documentary The Art of Improvisation featuring Keith Jarrett there is a wonderful section where Jarrett and Corea combine on Mozart’s ‘Concerto No. 10 in Eb Major for Two Pianos’ where both pianists rise to the sublime majesty and challenge of Mozart, with Corea especially making it all appear so effortless.

There is a precise analogy to be made with the music made here – it may sound effortless, but that conceals the craftsmanship, flair and sheer inspiration of the moment to create what is probably his finest work since he left ECM in the 1980s.

– Stuart Nicholson

Australian Jazz Album Round-Up October 2014

Originality from the combination of the jazz and classical worlds with Topology & Trichotomy is contrasted this month with two more straight ahead releases, one from a long admired performer turned academic, saxophonist Rob Burke, with assistance from American pianist Kenny Werner and the second from the younger fellow saxophonist Roger Manins and his somewhat unique line-up and his simply joyous album.

– Michael Prescott, Jazz Presenter 5MBS, Australia

 

Hip Flask

2         Rattle             ★★★★

Roger Manins (s), Stu Hunter (o), Adam Ponting (p), Brendan Clarke (b), Toby Hall (d). Rec December 2013

Roger-Manins-Hip-Flask-300Roger Manins is nothing if not prolific, last month saw him in “Dog”, this month an entirely different, a Trans Tasman group with an equally quirky name and unimaginative title, and yes, it is their second album! This is a very different beast, just a look at the instrumentation makes that clear. It is unusual to see a bassist and organist together, let alone piano and organ in tandem. Such is the writing and arranging skill displayed here that it all sounds just so right. The resulting noise is firmly rooted in the mainstream, with a very healthy dose of Soul Jazz, courtesy of Stu Hunter’s organ plus a big drop of blues. The obvious exception to this is the very distinctive and album highlight, the Manins original, “Circles and Clouds”, with its circular theme. The balance of the album is just great fun, punctuated by fine melodious solos from the excellent Manins, and his keyboard front line. Make no mistake, this is jazz to be enjoyed. It has a very positive vibe, which, not surprisingly, finds itself in “play” mode on a regular basis. Manins has said that part of his philosophy for this music was based on the fact that most jazz “does not go down well with the next door neighbour”. Play this and expect to be asked to turn the volume to max.

Click here for more info

 

Robert Burke  

Do True                       Jazzhead         ★★★

Robert Burke (s, b cl), Kenny Werner (p), Johannes Weidenmueller (b), Richie Brashy (d). Rec. 3 October 2013

Robert-Burke-Do-True-Jazzhead-300The opening title track starts off with what initially sounds like a melodic free jazz solo before slowly coming together and allowing the remainder of this excellent quartet to join in. In many ways this introduction of atypical of the remaining content, straight ahead jazz as one would expect from this collaboration with pianist Kenny Werner. Burke is a stalwart of the Australian jazz scene and currently Associate Professor at Monash University. For this recording he wanted to leave his comfort zone, so he travelled to New York and joined Werner and his recommended rhythm section comprising of bassist to the late Hank Jones, Weidenmueller and drummer Brashy, who has worked with both Herbie Hancock and Chick Corea. The group perform mostly Burke originals plus three from Werner and one from fellow Australian, Paul Grabowsky. Burke is a fine technician and posses a distinctive dry, but attractive, tone which he utilises to great effect throughout his delightful improvisatory excursions. Werner’s contributions cannot be understated, “Valse” and “Georgia James” are highlights whilst his piano solos shows one jazz music’s best in glowing form. Burke may have wanted to see if he could cut it with some of the best from the Big Apple, especially Werner. He needn’t have worried, this is a strong album, not to mention completely enjoyable.

Click here for more info

 

Topology & Trichotomy

Healthy                        Self produced           ★★★★

Topology: John Babbage (s), Kylie Davidson (p), Robert Davidson (b), Bernard Hoey (viola), Christa Powell (v), Trichotomy: Sean Foran (p, el p), John Parker (perc), Pat Marchisella (b). Rec March-April 2010

trichotomytopology300This is not one of those Beatles / Frank Ifield albums where each artist fills one side; nor is it dominated by one over the other. This is a complete collaboration between two very distinct groups that are also from totally opposite disciplines; Topology is rooted in classical chamber music whilst Trichotomy is from the jazz tradition. That is not to say that there were no issues that had to be dealt with make it work, there are, after all, two basses and two pianos. Each group contributed equally to the writing and arrangements, with the only non original being a startling arrangement of Steve Reich’s “Clapping Song”. The final result is compelling and represents probably the most successful integration of these two disparate musical worlds this reviewer has heard. Oddly, the sax comes from the Topology’s John Babbage, but such is his musicianship and virtuosity that he handles his new found freedom with ease. The result of this unique coupling is simply delightful, a very melodic and beautiful acoustic chamber jazz, closest to Oregon in texture, but with violin and viola instead of guitars. So often collaborations of this kind promise much and deliver little. It is a testament to these two groups that they make it work so well and deliver in spades.

Click here for more info

Jazzwise October 2014 Issue Albums Reviewed List

All these albums are reviewed in the October 2014 issue of Jazzwise which is out now – to read them all click here to subscribe and get a FANTASTIC FREE CD

New Release Album Reviews

1032K That Which Is Planted Passin’ Thru

Mina Agossi Fresh Plus Loin Music

Fred Thelonious Baker Life Suite First Hand Records

Lizzie Ball Hasta Siempre/Hasta Siempre Otra Vez Classical Kicks

Jim Black Trio Actuality Winter & Winter

Stefano Bollani Joy in Spite of Everything ECM

Stanley Clarke UP Mack Avenue

Cloudmakers Trio Abstract Forces Whirlwind Recordings

Echo Engine Windjammer Blue Scene Focus

Farmers By Nature Love and Ghosts AUM Fidelity AUM

Fofoulah Fofoulah Glitter Beat

Tom Harrell Trip High Note

Wayne Horvitz 55: Music and Dance in Concrete Other Room Music

Ahmad Jamal featuring Yusef Lateef Live At The Olympia Jazz Village

Al Jarreau My Old Friend: Celebrating George Duke Concord Records

Mark Jennett Everybody Says Don’t Jazzizit Records

Darius Jones/ Matthew Shipp Cosmic Lieder: The Darkseid Recital AUM Fidelity

Frank Kimbrough Quartet Palmetto

Jacob Karlzon 3 Shine ACT

Manu Katché Live in Concert ACT

Diana Krall Wallflower Verve

Noel Langley Edentide Suntara

Azar Lawrence The Seeker Sunnyside

Jerry Léonide The Key ACT

Dave Liebman – Steve Dalachinsky The Fallout Of Dreams RogueArt

Mammal Hands Animalia Gondwana Records

Dominic J Marshall Trio Spirit Speech Origin Records

Louis Moholo-Moholo Unit For The Blue Notes Ogun

Sarah Moule Songs From The Floating World Red Ram Records

Orquestra Jazz de Matosinhos Jazz Composers Forum – Today’s EuropeanAmerican Big Band Writing Toap

Quadraceratops Quadraceratops Efpi Records

Rebirth Brass Band Move Your Body Basin Street Records

Marc Ribot Trio Live At The Village Vanguard Pi Recordings

Jochen Rueckert We Make the Rules Whirlwind Records

Adam Schroeder Let’s Capri

Louis Sclavis Quartet Silk and Salt Melodies ECM

Torben Snekkestad and Barry Guy Slip Slide and Collide Maya recordings

Omar Sosa Promise Ota SKP

Martin Speake and Douglas Finch Sound Clouds Pumpkin Records

Tommaso Starace Quartet Italian Short Stories EmArcy

Henri Texier Hope Quartet Label Bleu

Tricotism Fingerbustin’ Raymer Sound

Mark Turner Lathe Of Heaven ECM

Wesseltoft, Schwarz, Berglund Trialogue Jazzland

Bugge Wesseltoft’s OK World OK World Jazzland

Miguel Zenón Identities Are Changeable Miel Music

 

Short Cuts// New Releases

Laurie Antonioli Songs of Shadow, Songs of Light Origin

Ed Barker Simple Truth www.edbarker.co.uk

Bearetown Leaning Jazz Jazz Wide

Ian Carey / Ben Stolorow Duocracy Kabocha

Ceccarelli Pilc Bramerie Twenty Bonsai Music

The Cellar and Point Ambit Cuneiform

Frank Harrison Trio Lunaris Linus Records

Frederik Köster Die Verwandlung Traumton

Luigi Di Nunzio inexistent Abeat Records

Penguin Café The Red Book Editions Penguin Café Ltd

Persson Danielsson Sundby The Second Time Around Live in UMEA Imogena Records

Simona Premazzi The Lucid Dreamer Inner Circle

Primitive Arkestra Dolphy’s Hat (Live) Slam

Howard Riley To Be Continued Slam

Elliott Sharp’s Terraplane 4am Always Yellowbird

Alex LoRe Dream House Inner Circle

Jan Lundgren Trio Flowers of Sendai Bee Jazz

Rotem Sivan Trio For Emotional Use Only Fresh Sound New Talent

Strayhorn Quartet One Drop Love Chant Soulito

Kevin MacKenzie/Steve Hamilton Midnight Without You Laundry Room Music

Baptiste Trotignon Hit Naïve

 

Reissues / Archive Reviews

Cannonball Adderley Sophisticated Swing/Cannonball’s Sharpshooters Cheesecake Records

Albert Ayler Trio Spiritual Unity ESP

Jaki Byard The Late Show High Note

Donald Byrd Four Classic Albums Byrd’s Word/Byrd’s Eye View/ All Night Long/ Byrd Blows On Beacon Hill Avid

Ray Charles King Of Cool – The Genius Of Ray Charles Atlantic/Rhino

Flat Earth Society Boot & Berg/X-Legged Sally/Call Sheets, Riders and Chicken Mushroom BONK/IGLOO

Carlos Garnett Black Love/Journey To Enlightenment Soul Brother

Stan Getz England 1958 / Chicago 1957 Solar

Dizzy Gillespie The Greatest Trumpet Of Them All American Jazz Classics

Grant Green Oleo Essential Jazz Classics

Charlie Haden / Jim Hall Impulse!

Herbie Hancock The Warner Bros. Years (1969-72) Warner Bros./Rhino

Gene Krupa Second Set/Four Classic Albums Sing, Sing, Sing/ Gene Krupa Quartet/ Krupa Rocks/The Jazz Rhythms Of Gene Krupa Avid

Gene Ludwig/Pat Martino Trio Young Guns Highnote

Johnny Mbizo Dyani Rejoice / Together Cadillac Records

Howard McGhee West Coast 1945-1947 Uptown

Thelonious Monk & Sonny Rollins Complete Recordings Essential Jazz Classics

Baden Powell Solitude on Guitar Sony

Sun Ra And His Arkestra In The Orbit Of Ra Strut

Enrico Rava and Paolo Fresu Shades of Chet Via Vento Jazz

Annie Ross/Christopher Logue/Tony Kinsey Quintet Loguerhythms – Songs From The Establishment EL Records

David Sancious Forest Of Feelings/ Transformation (The Speed Of Love) Esoteric Eclec

Nina Simone Little Girl Blue Masterworks

Nina Simone Nina Simone And Her Friends Bethlehem Records

Nina Simone At The Village Gate Masterworks

Mark Springer Piano Cherry Red / Exit

Various Artists Greater Lengths: An All Saints Compilation All Saints

Cedar Walton Reliving The Moment High Note

 

Short Cuts//Reissues

Trigger Alpert Trigger Happy Fresh Sound

Louis Armstrong Integrale Vol. 13: A Song Was Born Fremaux

Chet Baker Get Chet Cheese Cake

Ray Barretto Eye of the Beholder / Can You Feel It Expansion

Count Basie Broadway Basie’s Way / Hollywood Basie’s Way American Jazz Classics

Conte Candoli Sincerely Conte Verse

Jimmy Cleveland Complete Recordings Essential Jazz Classics

Peggy Connelly That Old Black Magic Verse

Chris Connor Witchcraft Atlantic

João Donato The Sound of Brazil Sony Music

Coleman Hawkins Alive! At The Village Gate American Jazz Classics

Billy Hawks New Genius of the Blues and Heavy Soul BGP

Bill Jennings Architect of Soul Jazz Fresh Sound

Miucha and Tom Jobim Miucha and Tom Jobim /Miucha and Antonio Carlos Jobim Sony

Marty Paich Jazz City Workshop Verse

Frank Rosolino I Play Trombone Verse

Various Artists Four Horns and a Lush Life Verse

Sarah Vaughan Wonderful Sarah Master Jazz Records

Australian Jazz Album Round-Up September 2014

This month we take a look at a meeting of two creative pianists from both sides of the Pacific, another stunning debut, this time from a Western Australian trio and finally a meeting of classy musicians from across the ditch. Live, we take a look at a great show from Sylvan Coda.

– Michael Prescott, Jazz Presenter 5MBS, Australia

Alister Spence & Myra Melford

Everything Here Is Possible          Self Release    ★★★★

Alister Spence (p), Myra Melford (p), Rec 9 November 2012

This is a genuine meeting of like minds, two free flowing improvisatory pianists creating in real time. This project came to fruition when Melford brought her Trio 3 project to Australia in late 2012.  Spence is responsible for an excellent series of recordings for Rufus Records, including “Flux” (2003) And “Far Flung” (2012), both featuring Necks bassist Lloyd Swanton, whilst Melford needs no introduction. Although they had corresponded by email, they actually met for the first time on the afternoon of the recording and did not discuss what they would record. The resulting music is made up entirely of spontaneous improvisations for 2 pianos over 5 longish tracks. Although this is “free” music, largely devoid of structure, it is not unmelodic or unapproachable. There are many changes in timbre and form, evoking a wide range of emotional responses. It is also not frenetic meaning the whole is accessible and does not descend into a chaotic noise. Both pianists employ prepared piano on two tracks to great effect. The title of this album is very appropriate, when two creative musicians come together to improvise with a clean palette, everything IS possible and here they prove that “free” can be beautiful also.

Click here for more info and samples

 

Abbey-Foster-FalleAbbey, Foster, Falle                   ★★★★

Brotherhood                      Newmarket

Nick Abbey (b), Chris Foster (p), Ben Falle (d). Rec. 30 July, 1 August 2012

This is an accomplished and confident debut from three musicians from Perth, Western Australia. The members are separately listed as this is not a trio with an obvious leader; all contribute equally to the performance and the songwriting. And what tunes they are, bursting with hummable melodies, danceable rhythms and adventurous, flying improvisations. This is very comptempory jazz, closer to the European trios Phronesis and EST than Bill Evans. The mood throughout this disc is mostly upbeat and this apparent from the outset with the album opener, Foster’s delightful “Betty”, a gorgeous tune explored beautifully by Foster and Abbey. After three tunes from Foster comes bassist Abbey’s “Maelstrom”, a tour de force with its incessant driving rhythm and catchy melody. The pace slows before another burst from the final track, “Brotherhood”. It’s the confidence and the apparent ease that this trio displays that is so striking for their first outing. They appear to be the complete package, excellent songwriting, great use of rhythm and intelligent but emotive solos from all members. More than this, they also they listen to each other’s playing leading to lively and engaging interplay. One cannot help but be impressed and thoroughly enjoy this trio’s first foray into recording.

Click here for more info and samples

 

DogDog

Dog                           Rattle   ★★★

Kevin Field (p), Roger Manins (s), Olivier Holland (b), Ron Sampson (d). Rec April 2014

“Dog” is not exactly the most attractive band name and not really indicative of the music contained therein. It is actually a collection of some of New Zealand’s finest, including Manins, who worked extensively with the late Bernie McGann, and veteran drummer Sampson. Together they make one joyous racket over 10 tracks, with the songwriting equally spread among the band. The album kicks off with Sampson’s Push Biker, with its incessant one note intro from piano and sax before the tension releases with the theme stated by Manins. This pacey opening continues over most of the disc with standouts being ”Road To Damascus”; ” Sounds Like Orange” and “Peter The Magnificent” The tempo is subdued within the inclusion of three ballads but it’s the up-tempo numbers that really lift this album to great heights. Experience can count for much and when a quartet of seasoned players comes together their collective experience can lead to inspired sessions and this is what has occurred here. All members of the group contribute great tunes and then enhance them by thoughtful arrangements and flowing improvisations, particularly Manins and Field. In this case the Dog has had its day and may there be more to come!

Click here for more info and samples

LIVE REVIEW

Christopher Hale’s Sylvan Coda

Dunstan Playhouse, Adelaide

Johnny-Tedesco-and-Chris-HaleYou know a show is special when the audience jumps to its collective feet as soon as the last note is played; this was one of those shows. Sylvan Coda, brainchild of six string semi acoustic bass guitarist Christopher Hale, was performing as part of The Adelaide Guitar Festival. The music is a mix of jazz and flamenco but dominated by neither. The concert, based on the superb 2010 “Sylvan Coda” album (Which Way Music), was delivered by almost the same band that recorded the CD. This gig buzzed from the first chord, propelled by a fine rhythm section, led by Hale and assisted by Ben Vanderwal on drums with the fabulous Johnny Tedesco on percussion. Tedesco further mesmerised the gathered with a stunning display of flamenco dance, demonstrating an amazing agility and lightening fast feet. Gian Slater, voice, was impressive throughout, adding real colour to the music with wordless vocals, while Nathan Slater was brilliant on nylon string guitar. Finally Julian Banks’ tenor saxophone ably completed the front line. Those familiar with the aforementioned album were struck with the elevation of that very good album into a simply stunning performance littered with highlights from all. The intensity was sustained throughout this performance, making it one of 2014’s highlights.

Click here for more info

 

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Australian Jazz Album Round-Up November 2014

Australian Jazz Album Round-Up November …

Two of Australia’s best-known jazz artists release new albums, Paul...

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Jazzwise November 2014 Issue Albums Revi…

All these albums are reviewed in the November 2014 issue...

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Chick Corea – Trilogy ★★★★ Recommended

Chick Corea – Trilogy ★★★★ Recommended

Concord CJA3568502 Chick Corea (p), Christian McBride (b), Brian Blade...

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Australian Jazz Album Round-Up October 2014

Australian Jazz Album Round-Up October 2…

Originality from the combination of the jazz and classical worlds...

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Jazzwise October 2014 Issue Albums Revie…

All these albums are reviewed in the October 2014 issue...

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Australian Jazz Album Round-Up September 2014

Australian Jazz Album Round-Up September…

This month we take a look at a meeting of...

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Partisans – Swamp ★★★★

Partisans – Swamp ★★★★

Whirlwind Recordings Julian Siegel (ts, ss, clt, b clt)...

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Australian Jazz Album Round-Up July 2014

Australian Jazz Album Round-Up July 2014

The diversity of Australian jazz is evident from this month’s...

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Dylan Howe – Subterranean: New Designs on David Bowie’s Berlin ★★★★

Dylan Howe – Subterranean: New Designs o…

Motorik MR1004 Dylan Howe (d), Brandon Allen, Julian Siegel...

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Jazzwise July 2014 Issue Album Reviews L…

All these albums are reviewed in the JULY 2014 issue...

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Jazzwise June 2014 Issue Album Reviews L…

 All these albums are reviewed in the JUNE 2014 issue...

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Joseph Tawadros, yeahyeahabsolutelynoway and Paul Grabowsky plus Martin Taylor live in Australian Jazz Round Up

Joseph Tawadros, yeahyeahabsolutelynoway…

It was another busy month here in Oz, with more...

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Neil Cowley Trio – Touch and Flee  ★★★★

Neil Cowley Trio – Touch and Flee ★★★★

Naim naimcd206Neil Cowley (p, kys), Rex Horan (b) and Evan...

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Sam Anning, Tam O'Shanter and Sam Bates in Australian jazz CD round-up

Sam Anning, Tam O'Shanter and Sam Bates …

With winter not far away, Australia kicks into festival mode...

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 Nat Birchall Quintet – Live In Larissa ★★★★

Nat Birchall Quintet – Live In Larissa …

Sound Soul And Spirit NB003 2LP Set – Nat Birchall...

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