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Brad Mehldau Trio – Barbican, London Jazz Festival 2012
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Friday, 23 November 2012 15:44

“Please switch off your mobile phones so you listen and don’t get distracted,” this was the first sound you heard walking into the Barbican on Wednesday evening. The second was the urgent rustling of pockets and bags while people scrabbled for the most essential item that they can never be without. However this announcement captured the essence of the Brad Mehldau Trio. For the performers it was all about listening and focus on the individual sound world the group create. Walking onto the stage with a single bow, the relaxed Mehldau wasted no time in immersing himself and the audience in this. Often the style of a group is revealed through the audience they attract and the diverse mix of pop, jazz and classical fans show the influences that combine to make Mehldau’s performance style so unique and musically exciting.

For the first tune, ‘Great Day’ by Paul McCartney, drummer Jeff Ballard began by using his hands on snare drum and tom toms, the mellowness of which enabled bassist Larry Grenadier to showcase his impressive harmonic range and extensive technique. Together the trio know how to perfectly shape lines, adapting their instruments harmonically and rhythmically to keep the audience transfixed. In Mehldau’s solos the rhythmic clarity between his hands drew the whole room in to the point where it appeared most of the audience had stopped breathing.

The pianist did not break his focus even to introduce a tune until 30 minutes in, at which point he turned to the audience to dryly announce: “thanks for coming, you had other choices.” Having started with two songs by McCartney, there followed a piece by Charlie Parker, a new composition of Meldau’s and a closing standard, ‘Since I Fell For You’. Mehldau’s original improvisations really showed why he’s so admired, combining strong classical influences with Keith Jarrett-like flowing lines and creativity. The group support each other musically in every piece especially during solos where they demonstrated strong musical empathy, without trying to outshine or play across each other.

Having played together as a trio for seven years now the group seem to have developed the ability to be completely musically attuned. Tonight Mehldau, Grenadier and Ballard, through this powerful performance, showed that they really have found a way to perfect the art of the trio.

– Esther Hayden

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